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1.
Under the eiderdown, I caught you, red handed, two timing, You have me the runaround, You fleeced me, completely, I’m in pieces. Thought we were spick and span, Unbridled by girders or burdens, The tower came tumbling down, Foundations might as well have been paper mache. Do you think I’m a catch? Oblivious to your cruelty, Girl have you met your match? Plain to see you’re cheating with me. Under the eiderdown, That kept us so kindly, Through bitter winter, You fooled around, With some geezer that you thought might briefly please ya, From the impression that I got, your countenance struck like bullets through a dartboard, Who the fuck are you to be walking in on me whilst I’m having a whale of a time? (oh baby didn’t you play me) Do you think I’m a catch? Oblivious to your cruelty, Girl have you met your match? Plain to see you’re cheating with me.
2.
Under the eiderdown, I caught you, red handed, two timing, You have me the runaround, You fleeced me, completely, I’m in pieces. Thought we were spick and span, Unbridled by girders or burdens, The tower came tumbling down, Foundations might as well have been paper mache. Do you think I’m a catch? Oblivious to your cruelty, Girl have you met your match? Plain to see you’re cheating with me. Under the eiderdown, That kept us so kindly, Through bitter winter, You fooled around, With some geezer that you thought might briefly please ya, From the impression that I got, your countenance struck like bullets through a dartboard, Who the fuck are you to be walking in on me whilst I’m having a whale of a time? (oh baby didn’t you play me) Do you think I’m a catch? Oblivious to your cruelty, Girl have you met your match? Plain to see you’re cheating with me.

about

Having worked extensively as a multi-instrumentalist with established acts such as Foals, TEED and Songhoy Blues, Hudson Scott’s new single Triangle proves his exceptional synth pop sensibilities and marries rough-around-the-edges sound with hyper-catchy, pop writing.

‘Triangle’ is loaded with emotion and poetic metaphor wrapped in rich, brass-rife electronic arrangements that hint at a rich array of stylistic references, and to which the artist himself refers as “a middle ground between 80s afrobeat and the emotionally affecting songwriting of Arthur Russell”.

With his unique vocal phrasing, Scott delivers unapologetically sentimental lyrics, which – coupled with the groove-laden production – makes this record a stunning and deeply affecting power balled.

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released May 4, 2018

© squareglass
℗ Sam Hudson Scott

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